A Son of the Rock

Dave Mason, co-founder of the band Traffic, has died.

His career with Traffic was by no means smooth (and he later went on to play with various luminaries) but he wrote and sang their biggest UK hit, a No 2 in 1967.

Traffic: Hole in my Shoe

Mason’s song Feelin’ Alright became something of a standard with many other artists covering it. 

Traffic: Feelin’ Alright

David Thomas Mason: 10/5/1946 – 19/4/2026. So it goes.

Headline, 2022, 287 p. First published 1987.

When originally published the trilogy of which this is the first instalment was titled Xenogenesis. It now seems to be called Lilith’s Brood.

Lilith Iyapo wakes up in what appears to be a prison cell, provided with bland food. She has memories of this happening previously and also of her life on Earth when her husband and child had died in a traffic accident. This was shortly before a nuclear war left the planet uninhabitable (to humans at least.) She soon learns that a few humans were rescued from the apocalypse by an alien race, the Oankali; a species for which genetic engineering is essential.

The first appearance to her of an Oankali shocks her: they are covered in small tentacles acting as sensory organs, and which are attracted by movement. The Oankali have three sexes; male, female and ooloi. All have the ability to sense the biochemistry of genetics but the ooloi can manipulate it and build offspring from their mates’ genes.

Lilith is told a cancer has been removed from inside her and that the spaceship she is being held on is alive. The Oankali find cancer to be an attractive trait for their genetic manipulation purposes. They want to blend their own and human genetics, in part as their biological imperative but also to eradicate hierarchical tendencies from humans. They envisage Lilith’s part in this as to Awaken other humans and prepare them for this gene trade and a return to Earth. Lilith and the subsequent Awakened find the prospect repugnant.

When a sufficient number of people have been Awakened there are problems within the group. Specifically, some are wary of Lilith not only as a black woman but of her closeness to the Oankali and of the capabilities to manipulate the structure of the ship with which the they have endowed her, abilities naturally seen as suspicious by those not so treated.

In Dawn there are early similarities to other works of SF where people have been kept in captivity. The whole, though, depends on the credibility of the aliens and their motivations. I wasn’t entirely convinced.

Pedant’s corner:- “Where had all this been, Lilith wondered” (needs a question mark,) a missing end quotation mark after a piece of direct speech, “gasses” (gases,) “had come on to the bed with her and lay down” (and lain down,) “clean shaved” (clean shaven,) “Paul Titus’ wall” (Titus’s. Titus’ appeared again later,) “their own betrayal: No trip to Earth” (colons are not usually followed by a capital letter; ‘betrayal: no trip…’) A paragraph beginning with a piece of direct speech without having an opening quotation mark (I know this is a publishing convention but to me it feels wrong,) repellant (repellent.) “She froze where she stood and had all she could to keep from turning and running away” (is expressed awkwardly.) “It said nothing more, made no sound of its own pain” (ditto,) “she recognised Ahajas, Nikanj’s female mate as the owner” (she recognised Ahajas, Nikanj’s female mate, as the owner.) “She waited almost eager for the darkness” (needs a comma after waited,) Ahajas’ (Ahajas’s.)

Bellahouston Park in Glasgow, where the House for an Art Lover is situated, was the site of the Empire Exhibition 1938.

Towards the exit of the House a digital reconstruction of the Exhibition was on display. This one is from YouTube:-

There was also a small cabinet containing some memorabilia from the Exhibition:-

The memorabilia in the picture are: a toasting fork, a bronze model of the Tower of Empire (Tait’s Tower,) a metal badge in the shape of the Tower, the official Guide to the Exhibition, a glass dish on which there is a season ticket for the Exhibition, the book entitled The Empire Exhibition Fifty Years On and a Birrell’s chocolate box. Presumably the structural engineering company whose plaque is also present had a stand at the Exhibition.

More from the house in Bellahouston Park, Glasgow, built from designs by Charles Rennie Mackintosh.

Wood Panelling:-

Hall and balcony:_

A fireplace:-

Another fireplace:-

Window and lantern-style light:-

Window seat, candleholder, and external detail:-

Hodder and Stoughton, 1891, 218 p plus iii p Contents.

Again, as in Auld Licht Idylls, our narrator is the local dominie in Thrums, who has a lodging at the home of the McQumpha family; father Hendry, mother Jess, daughter Leeby and son Jamie, who now lives in London. Jess, who is an invalid, has never got over the loss of her other son, Joey, is a fine embroiderer and sits at the window of their house at the top of the brae leading out of Thrums, looking out at the world and hoping to see Jamie coming up the road. Leeby, when younger, was excessively devoted to Jamie and that devotion has spilled over into her caring for Jess which leaves her little time for her own life. Hendry, thoug hard working and honest is more of a background figure.

Along the way Barrie gives us, through the minister, snippets of life in Thrums and of the various characters who lived there. The man who tried to get out of his engagement to one woman because he had taken fancy to another, the older man who came back to the village with a much younger wife and was shunned by his hitherto prospective heirs, the exploits of the town comic.

On Jamie’s last visit Jess is much disturbed by the fact that he has a handkerchief secreted in his clothing. This she takes as a sign that he has a woman friend in London and like many a mother of sons is displeased that another woman could replace her in his affections.

Incidents in the book have parallels with Barrie’s upbringing in Kirriemuir and are reflective of the small town Scots life of his youth which at time of writing would have all but disappeared.

Most of the dialogue is in very broad Scots. Occasionally a Scots word was followed in brackets by its (nearest) equivalent in English. This has the effect of breaking up the narrative. I agree that to readers in England – or elsewhere – these might be required but a glossary would surely suffice for any who are troubled by it. However, the practice did not occur with every Scots word, some of which I therefore had to look up for myself, my Scots vocabulary not being extensive.

Pedant’s corner:- mantlepiece (mantelpiece,) largess (largesse,) youre (you’re,) “therenever was in Thrums” (there never was.)

The House for an Art Lover, in Bellahouston Park, Glasgow, which I mentioned here, was built to designs by Charles Rennie Mackintosh which had not been used in his lifetime.

Exterior:-

Model inside. The similarities to Hill House are unmistakable:-

Reverse of model:-

The haunting voice of Clannad’s Moya Brennan has been stilled.

The band’s first hit was the theme from the TV Series Harry’s Game, set during the Troubles in Northern Ireland. The song was doubly notable to be the first song sung in Irish to reach the UK top ten.

Clannad: Theme From Harry’s Game

Máire Philomena Ní Bhraonáin (Moya Brennan): 4/8/1952 – 13/4/2026

We took a trip through to Dumbarton in November 2024 and stopped off at the Loch Lomond Shores shopping complex.

By the entrance was this model of The Maid of the Loch, the last paddle steamer on Loch Lomond which I hvave featured here and here:-

The Moon over the Rock (somewhat outdone by the floodlights):-

Unwin, 1989, 188 p.

This is apparently the third in Greenland’s Daybreak series but I wasn’t really aware of this when I bought it recently. I read The Hour of the Thin Ox many years ago and reviewed Daybreak on a Different Mountain on the blog in 2009.

Other Voices is a slightly unfocused tale set in the standardised pre- (or never-) industrial fantasy milieu. Greenland doesn’t fall into the clichés of the genre though, he’s too good a writer for that.

At the novel’s start Luscany is on the verge of being conquered by the Eschalan, a people to all intents human, but orange. The book promises to be the story of Serin, daughter of Tarven Guille, a medical experimenter.  It soon spreads out, though, to encompass the life of Luscany’s Princess Nette kept unwillingly in her palace by the victorious Eschalan as a figurehead.

Tarven and his wife Amber’s first two children either didn’t survive birth, or only barely did. Nevertheless, their bodies are kept in the house in a drawer in which Serin is forbidden to look. For Tarven is on the point of discovering how to bring the recently dead back to life.

The fantasy elements don’t overwhelm the story which is mainly one of accommodating to the occupying power and of resisting it.

Not one of Greenland’s major works but eminently readable.

Pedant’s corner:- “seemed to sooth her rage” (to soothe her rage.)

I have just seen from various sources that SF writer Ian Watson has died. I’m so sad to hear about this.

I knew he had been ill recently but had been under the impression he was recovering.

I have thirty of his books on my shelves, the most recent of which was The Chinese Time Machine which I reviewed for ParSec in 2023.

The first time I met him was when I attended the signing event for my first short story publication, The Face of the Waters, in New Worlds 2 way back in 1992.

He was a gentleman and had a particularly sharp wit.

Ian Watson: 20/4/1943 – 13/4/2026. So it goes.