Reelin’ in the Years 270: No More Mr Nice Guy

Alice Cooper’s fourth top ten hit in the UK. Number 10 in 1973.

Alice Cooper: No More Mr Nice Guy

The Translator by John Crowley 

Harper Perennial, 2003, 301 p.

Presented as a memoir (of sorts,) this tells of the relationship in the early 1960s between Christa (Kit) Malone, a nascent US poet, and Russian refugee poet Innokenti Isayevich Falin.

Kit’s life has been peripatetic as her father flits from job to job (or post to post: there are hints he works for the government in some sort of secret capacity.) As a result, she is very close to her brother Ben, so much so that when he leaves home to join the army she is all but devastated. This leads her to an unwise decision to lose her virginity. Her resulting pregnancy would have been bad enough at the time for any young woman but her family is Catholic. The child though, when born, is severely incapacitated and dies. Hence Kit is enabled to go to college where she meets Falin and enrols in his class. Their rapport through poetry soon builds. She learns Russian and they begin to collaborate on translations of his work. She later makes her name as a translator of Falin’s poetry.

Part of this story is told as a kind of retrospective when she travels to post-communist Russia to a celebration of the 75th anniversary of Falin’s birth, and of his life and poetry, in St Petersburg, 1993, where her main interlocutor is Gavriil Viktorovic Semyonov. Through him she gleans even more of the conditions under which Falin had lived before his exile.

Living in the Soviet Union taught you to be invisible, not to bring attention to yourself. Falin had begun life (or at least his memories began) as one of the besprizornye – ragamuffins/urchins, lost or orphaned children – which throughout its history Russia has thrown up in profusion. Gavriil Viktorovich tells her, “We were all besprizornye. The whole society. We were all torn away from common bonds that we had been born into. All had to rely on others, on those we found around us, yet never trust them.” Not, then, examples of New Man as Soviet doctrine had it, but self-preserving individuals. “All against all.” Falin had said something similar to her.

Semyonov reflects on the post-Soviet era. “In her dark time Russia was kept alive by the poets. Perhaps now in the new time” of biznesmeny and konsultante “they will pass …. cease to be souls, or persons, and become only books.”

The campus scenes here reminded me of Sylvia Plath’s The Bell Jar, and, because of the Russian and poetry connections, there were resemblances to Vladimir Nabokov’s Pale Fire.

The background to them is the Kennedy Presidency and the Cuban Missile Crisis. Kit has a sort of friendship with Jackie Young of the People’s Socialist League. The Fair Play for Cuba Committee march with their Hands off Cuba banners and encounter discontent.

On an occasion when Falin is away and Kit is looking after his house a man called Milton Bluhdorn intrudes on it. Falin it seems is suspected of being a plant (they didn’t let Pasternak out so why him?) and Kit is invited to spy on him. Instead, she tells Falin of the approach.

But most of their talk is of poetry. Falin says of poems, “You cannot translate. You can only make other poems.” He also contends that countries have greater and lesser angels. The lesser angel is all that the greater angel isn’t but sometimes prevails. It is left open to the reader to decide whether or not Falin and Kit are lesser angels of their countries.

While leaning into the ramifications of the Kennedy assassination and its associated conspiracy theories, The Translator is a work about the moral responsibilities of the individual and the operations of the agents of the state. But most of all about the importance of poetry, words, and personal relationships.

Pedant’s corner:- occasionally questions in dialogue are not followed by a question mark, “the Ukraine, the Crimea” (nowadays just Ukraine, Crimea.) “Gavriil Viktorovich Semyonov” (in British transliteration, Viktorovic.)

More Art in Cartwright Memorial Hall, Bradford

Other well-known artists apart from Hockney are on display in the Cartwright Memorial Hall in Bradford. There are two works by L S Lowry.

“Industrial Landscape ‘Ashton-under-Lyne'”:-

An LS Lowry

“Haworth Church”:-

Haworth Church by L S Lowry

Paul Nash is known for his war paintings but “View from a Window in Nice” represents his surrealist side:-

Paul Nash Painting, Cartwright Memorial Hall

David Hockney in Bradford (ii)

More Hockney in the Cartwright Memorial Hall, Bradford.

“Bradford Indoor Market” and “Artist’s Family at Tea”:-

Two Hockney Paintings

“A Bounce for Bradford,” part of a morale boosting campaign for the City in 1987 after the fire at Valley Parade:-

Hockney Painting, Cartwright Memorial Hall, Bradford

“Autumn” from 1954:-

David Hockney: Autumn

“Moorside Road” from 1955:-

David Hockney

Untitled late work made on an iPad:-

Untitled Late Hockney Artwork

David Hockney in Bradford (i)

Artist David Hockney (who died in June) is one of Bradford’s most famous sons. The Cartwright Memorial Hall and Gallery holds several of his works. Two of them are the Bradford Phone Book for 1989 and A Travel Guide to Bradford from 1992:-

David Hockney: Bradford Guides

Le Plongeur (Paper Pool 18) is a more typical Hockney:-

Hockney: Le Plongeur (Paper Pool 18)

Early drawings:-

David Hockney Drawings

Pencil Drawings:-

Hockney Pencil Drawings, Cartwright Memorial Hall, Bradford

Street Scene on Hillside:-

Cartwright Memorial Hall, A David Hockney Drawing

David Hockney: 9/7/1937 – 11/6/2026. So it goes.

Great War Medals, Traquair House

Sadly, four of the Maxwell-Stuart family who owned Traquair House were killed in the Great War. Their medals and photographs are on display in the left hand new wing.

Great War Medals, Traquair House

An accompanying information sheet lists their fates:-

Great War Deaths, Traquair House

Traquair House Stewart Connection

The Stewarts and Maxwell Stewarts of Traquair House were firm Jacobites and the house contains Jacobite relics.

Hair belonging to the parents of Bonnie Prince Charlie:-

Jacobite Relics, Traquair House

Portrait of “Betty Burke”, Bonnie Prince Charlie’s alias when he was on the run disguised as a woman. The caption spells it Burk:-

"Betty Burke" Picture atTraquair House,

The family was Catholic. This is the Priest Hole:-

Priest's Hole, Traquair House

And its stairs:-

Priest's Hole Stairs, Traquair House

The Lion* Gates to Traquair House  were closed when James VII (James II of England) was deposed, not to be re-opened until the Stewarts were restored to the throne. They remain firmly shut:-

Lion Gates, Traquair House

Traquair House, Lion Gates

Edited to add:- I have been reminded in a comment that these are actually Bear gates, not Lion gates.

Live It Up 144: Johnny Come Home

The first hit for the band. No 8 in 1985.

Fine Young Cannibals: Johnny Come Home

State Rooms, Traquair House

Drawing room:-

Room in Traquair House

Traquair House, Furniture

The dining room is situated in one of the new wings of the house:-

Dining Room, Traquair House

Traquair House, Dining Room

The old laundry has been preserved:-

Laundry, Traquair House

Traquair House Again

Pottery:-

Pottery, Traquair House

There are two rooms in Traquair House used as libraries. First:-

Library, Traquair House

Second:-

Library at Traquair House

Traquair House, Library

In an upper room there is this diploma given to the house owner Sir John Stewart by Charles I:-

Diploma from Charles I, Traquair House

The above lies in a cabinet below a mural:-

Mural Painting, Traquair House,

Description of mural:-

Mural Description, Traquair House

Further along the upper floor is a bedroom:-

Bed, Traquair House

One part of an old painted ceiling has been kept exposed:-

Painted Wooden Ceiling, Traquair House

View of maze from house:-

Maze from Traquair House

 

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