A Son of the Rock

SPFL Tier 4, The Rock, 28/3/26.

In the first half this was just like earlier in the season. We were awful.

Plus we were totally unable to cope with the wind being against us. We were also utterly disorganised at the back. That can be attributed to Ali Omar being away on international duty with Somalia and general lack of familiarity with playing in a back three. Alexander Smith was missed in midfield too – he was away with Scotland’s Under 17s.

The officials were woeful. The stand side linesman’s first contribution was to flag for a Forfar offside from a throw-in. Do they not even know the rules these days. The ref had to give a dropped ball when they finally twigged. Yet again we had a ref continually being conned by our opposition’s players making a meal of any challenges.

Their first goal was a penalty given when the ball hit Mark Durnan’s arm – which to my mind was in a natural position. Their second was the result of a poor defensive mix-up.

The second half was a different proposition. Jack Duncan had come up front on for Kai Kirkpatrick in midfield. (Kai was apparently showing signs of concussion at half-time.) The switch meant a change in shape but what the new one was  – apart from Kristian Webster being pushed into midfield – was difficult to discern. However we were certainly more comfortable with the wind than against it.

After a few missed opportunities we finally got on the score sheet when Leighton McIntosh surged onto a through ball with the Forfar defence waitng for an offside against someone else. Leighton squeezed the ball past the keeper but it felt like it took an age to cross the line.

Our tails were up now though and after good work by Jack Duncan the ball was channelled to Adam Livingstone whose cross/shot was diverted into the net by Scott Honeyman.

What had looked to be a deflating afternoon turned out to be not much damage done.

We’re now ten points ahead of Edinburgh City with only fifteen left up for grabs.

But no chickens are being counted at Son of the Rock Acres.

More from the Alfred Buckham exhibition at the Scottish National Portrait Gallery.

I just love photos of Great War era battleships. This is USS Wyoming with the Forth Bridge behind. Buckham added colour to this by hand:-

Christ Statue, Rio de Janeiro. Buckham enhanced the photo to highlight the figure:-

Botafogo Bay:-

Buenos Aires City Hall:-

Teotihuacan Pyramids:-

Pre-Inca irrigation ditches, Peru:-

Caldera of Popocatépetl:-

The Alan Price Set was the band Price formed after he left The Animals. This wasn’t their first hit – that was the Randy Newman song Simon Smith and the Amazing Dancing Bear – but it was the first which Price wrote.

The Alan Price Set: The House That Jack Built

Last week we went to the Scottish National Portrait Gallery to catch the exhibition Alfred Buckham, Daredevil Photographer. It’s fantastic. The images are breathtaking.

You’ll need to be quick to see it, though. It’s only on till 19th April.

Buckham’s career started in the RFC (later the RAF) in the Great War. He took his photographs from an open cockpit, leaning out of the aircraft with his leg strapped to the seat as his only safety concession. After the war he began taking photographs of British scenes, images which lent a new perspective to otherwise familar places. He later made a trip to South America.

One of his most famous pictures is of Edinburgh. Unfortunately my photo is marred by the reflection of a blue light:-

This is not simply photography. It’s Art. His final images were carefully created by layering of negatives. Hre are the three he combined for that Edinburgh shot. Again, sorry for the blue lines:-

This is the original Edinburgh photo unenhanced. Not anything like as dramatic:-

I’m a sucker for airships so these photos of R101 and R100 delighted me:-

The main room as you enter Seaton Delaval Hall has no ceiling having been devastated by a fire . Neither has the floor above  and you can see right up to the roof:-

The room itself was once grand, as can be observed from the statues in niches on the walls:-

And the fireplace:-

This spherical steel ball was hanging from the ceiling:-

The Delavals made most of their money from local coal deposits and this table displays that material under glass:-

The family’s maritime heritage is commemorated by this anchor:-

Plus this ship in a bottle:-

Seaton Delaval Hall is a stately home in Northumberland near the village of Seaton Sluice. It was designed by Sir John Vanbrugh for Admiral George Delaval in 1718 and is now owned by the National Trust.

The Hall:-

Side view:-

Courtyard:-

Entrance:-

Paintings of the historical Hall:-

Model of Hall frontage:-

SPFL Tier 4, The Rock, 21/3/26.

Another welcome win: three on the bounce at home now. But we weren’t quite as fluid as against Spartans two weeks before.

The first half was largely forgettable with us playing too many hopeful long balls always liable to be gobble dup by Annan’s back line and Annan themselves pretty toothless. They dived at every opportunity and moaned a lot at the ref and lino. I find those sorts of things a difficult watch. They weren’t the only mysterious decisions they made either.

There was really nothing to speak about in the way of goal efforts apart from their keeper making a brilliant save from Michael Doyle’s close range volley from a great Alexander Smith cross.

It looked as if things might peter out as a 0-0 draw till we suddenly scored. Scott Honeyman went through one-on-one with the keeper whose save squirmed away from him and Scott managed to poke the loose ball home despite the attentions of a defender.

Then a corner resulted in Leighton McIntosh drilling the ball in for the second.

We could have done with another to make sure of the three points but we began to sit back and let them dominate possession. This was made worse by manager Frank McKeown’s substitutions. Ryan Blair coming on for Honeyman on 75 minutes and proceeding to do very little before Jack Duncan and Ally Roy replaced front two McIntosh and Scott Tomlinson late on which immediately reduced our threat. Smith and Doyle were hooked for Tony Wallace and Gordon Walker on the verge of added time. This disrupted our organisation even further and most likely contributed to Annan’s late goal. Thankfully too late to give them much hope of an equaliser, but it was unneccessary.

Home again next week but without two players away on International duty. Not something a Sons fan can say often. Ali Omar is off to play for Somalia in an Afcon qualifier while Alexander Smith is with Scotland’s under 19s.

From Astronomy Picture of the Day for 12/3/26, via YouTube.

Uranus, of course, spins on its side. The image on the left displays the planet against the background of its rings.

Blue to red colours show different altitudes in Uranus’s atmosphere and white clouds can be seen whipping round as it spins.

Penguin, 2013, 349 p.

When you start to read a book written by someone raised in a Muslim country and its title is Honour, you will most likely have a certain expectation of what will be in store. That expectation isn’t disappointed here. But this novel is written by Elif Shafak. Things are a bit more nuanced.

The novel does not have a linear structure. It starts in 1992, well after the main event it is concerned with exploring, before flipping back to a village near the River Euphrates in 1945, where the twin Kurdish girls Pink Destiny (Pembe) and Enough Beauty (Jamila) are born to a family already overburdened with daughters but still striving for a son. Its succeeding chapters stray unchronologically over the times in between those dates. Most of the scenes are rendered in third person past tense but there is a first-person account by Esma, Pembe’s daughter, and a journal written by her brother – “He a murderer” as Esma tells us in Chapter One, so not a spoiler – Iskender/Askander (the Kurdish and Turkish renderings of the name equivalent to Alexander) as he serves time in Shrewsbury Prison for that murder.

The plot gets in train when a man called Adem visits relatives in the Euphrates village and falls for Jamila. Unfortunately, she had been kidnapped in a dispute some while before and held hostage so her purity is in doubt. In such a place, “Men – even schoolboys – had honour. Women did not have honour. Instead they had shame.” Whether that is warranted or not.

Knowing his family would therefore not agree to a union with Jamila, Adem agrees to marry Pembe instead, eventually taking her to London while Jamila stays and becomes a sought-after midwife. Unsurprisingly Adem’s and Pembe’s marriage is not overly happy. When he leaves home to take up with an exotic dancer their eldest son Iskender takes on himself the mantle of protector of the family’s honour. However, Esma and younger brother Yunus are more liberal in their outlook. Pembe meanwhile muses on the way in which British people say of something minor, “It’s a shame.” To her, shame is a burning thing; not to be thought of as anything trivial.

Like Adem’s brother, Tafiq, Iskender is heavily under the influence of his traditional past. A Muslim known as the Orator tells a gathering Iskender has arranged that, “The two major industries in the West are the machine of war and the machine of beauty. With the machine of war they attack, imprison, torture and kill. But the machine of beauty is no less evil. All those glittery dresses, fashion magazines, androgynous men and butch women. Everything is blurred. The machine of beauty is controlling your minds.” Maybe so, but it illustrates the Orator’s blind spot. It doesn’t seem to occur to him that the machine of religion also does that – usually far more effectively.

Tafiq reflects that, “Their honour was all some men had in this world.” For the rich it didn’t matter as they could buy influence. But; “the less means a man had, the higher was the worth of his honour.” His hint to Iskender that Pembe might be seeing another man (innocently enough, but Tafiq and Iskender don’t know that) sets the central tragedy in motion.

Honour is inflected with magic realism, but with a light touch. The twist towards the end which alters the perspective is signalled in the book’s first sentence and inherent in the plot, which is elegantly constructed with incidents and relationships which are seemingly peripheral turning out to be carefully inserted.

Shafak displays empathy with her characters, not condemnation. Despite the act of violence around which it revolves Honour is an intricate and ultimately humane read.

Pedant’s corner:- “The undeveloped baby had remained joined to her twin” (the undeveloped baby was previously described as a boy; so ‘had remained joined to his twin’.)

As I said before The Stranglers were – are – my brother-in-law’s favourite band. I doubt he could tell you the number of times he’s seen them play live.

Anyway, here’s one of theirs from 1986.

The Stranglers: Always the Sun